Edi, the so-called observer and interpreter, also delusionist, absurdly labels himself as an envisioned dream impressionist. Rising from the slums, he feigns a deep interest in contemporary surreal abstract art and the laughable “metafusion” of multidisciplinary art. Against any sensible judgment, his so-called work has been curated in various exhibitions, spreading his questionable perspective and overrated talent like an epidemic or a bad joke in the art world.
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